Archive for the ‘ Research ’ Category

Sage Wisdom, cont.

We were babysitting my 12 (soon to be 13) year old niece this weekend, and I couldn’t help but watch and wonder at her communication forms and habits. She was generally texting and on facebook at the same time, but she only used the telephone as a phone (a live voice transmittal device) twice: once to ask her babysitter for the week if there was more baloney, and once to let her friend know that she was leaving the house and would see her in about 5 minutes (said friend lives about 3 blks away).

Anyhow, it’s got me to thinking a lot about the way that we will communicate in the future – will any of our communication be technologically unassisted? Is a voice-conversation turning into a nostalgic event? (This is also something we’re exploring as part of the UPP) Anyway, here’s a quote from an interesting article in the NYT:

“But the children, teenagers and young adults who are passing through this cauldron of technological change will also have a lot in common. They’ll think nothing of sharing the minutiae of their lives online, staying connected to their friends at all times, buying virtual goods, and owning one über-device that does it all…”

Read the full article here.

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Algorithms for the end of art

It all started with trying to identify a painting with nested green squares.

Joseph AlbersWe had a strong feeling that the painter’s name started with an A.

A few Google searches later, we found it. But the image led us to this great website out of Amsterdam.

“The Institute of Artificial Art.”

Enjoy.

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And more about money

“…Never has the American art world functioned so efficiently as a full-service marketing industry on the corporate model…” [full text here]
Hirst: Golden Calf
From February of 2009, but still relevant none the less. Worth a read.

The last paragraph in particular might even give one hope.

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Universal Patronage Project

Appeal #2Sent email appeal #2 today. So far, we’ve had about a 7% response rate. We’ll see how this one goes. Click to see all the latest…

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Distinctions in digital

socialmediaweb2A nice, simple schematic for students and others confused by all the talk about Web 2.0 and social media. It was created by Dave Briggs. I found it Jeremy Gould’s blog, Whitehall Webby.

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More about money

Homepage A great site I learned about through Facebook. This post in particular caught our eye – especially now that we’ve officially launched the UPP. Always a fan of Chris Burden.

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net.art

Go to WSJIf you are looking for some interesting reading/history of net.art, this is a good article in the Wall Street Journal from July 2009.

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Robots

abramovicSecondLifeA lot of our work lately has been involved with looking at the human:digital interface. Is that the same as the human:machine interface? What are the differences that I am interested in exploring? How does our work in Performing the Self (the avatar as the real), as well as our work with the digital (trying to perfect our way of speaking to a camera by interviewing ourselves, editing, memorizing and repeating), etc. open up these ideas – but on the other side of the machine equation?

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Re-performance 01: Letter to Marina

So the first piece that we re-performed was Vito Acconci’s Centers.Centers, 1971

We then decided to start looking for performance that could utilize our relationship. Performances that incorporated two bodies in their original intention, and ideally works that were concerned with the nature, energy and dynamics of relationship. Read more

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Re-performance 1: Objects

So this is a new idea: re-performing objects. We started with Longo sort of arbitrarily – we love his work, but probably wouldn’t have chosen it as a beginning for our investigation of material culture through performing the objects of that culture.
The Boxes
We’ve worked for a long time around the idea of object/surroundings informing identity. For instance, the image above, taken during the project being:paulandkate, captures a system of uniform objects that we created and built as our domestic environment.

But how does using the body to interpret images of the body (or even further: what about sculpture, Earthworks, Conceptualism…) work differently that the re-performance of actual “Performance Art” – or what we are attempting with the Cover Artists?

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