Archive for the ‘ Painting ’ Category
Today we sold the pixelated guitar that we created as part of our MFA thesis exhibition. The guitar has quite a storied history in its own right, and was given to us by my aunt in 2008. It played a major role in our debut EP, Ironing is the New Boring. When it died in 2009, we decided to paint it as a tribute.
The Year of the Rope, 1
Not exactly sure what the name of the diptych is going to be yet, but this is the name of the original performance on which it’s based. The process requires that we number and individually paint each of 10800 squares drawn on a 30 x 40 canvas. It’s somewhat tedious work, but enjoyable at the same time. I’ve always enjoyed numbers…
Click here to see the digital sketch of the painting.
And this one will take a long time.
A diptych, this painting touches on a lot of aspects of our work, including both the history of performance and its live element, The Cover Artists, factory work + labor, and the relationship between digital and analog.
I hope to post various iterations as the paintings progress, but for now, here is the digital sketch of the LHS canvas. Both canvases measure 30 X 40 inches and are each comprised of 10,800 1/3 inch squares that will be individually painted.
We’ve been in Kansas City for nearly two months now. The Organic Art Factory itself is taking off in new directions. Most recently, we completed two commissioned paintings for the Fairmont Hotel in Chicago, and have begun work on a series of paintings entitled, The Air with Variations.
Teaching is going well at the Kansas City Art Institute and the University of Missouri – Kansas City.
We’ve also been writing a column as Lilika Ruby entitled Art & Sex for the online magazines, The Faster Times, and Ovi Magazine.
Stay tuned for details about an upcoming show…
There are so many reasons. Here is one, quoted from the blog Metro Times:
“Fluxus artists were irresistible art flirts and menaces. They refused tickets to snobs, patronized critics and dared the public to find a point to art. They pushed the boundaries of what is considered art and, as Fluxus artist Nam June Paik wrote, turned you and me into the same clowns as Goethe and Beethoven. In short — they leveled the playing field.”